Cooper Robillard

Technical Creative

Hybrid creative with an engineering background.

Focused on editing, motion graphics, post-production, sound, and creative technology — with the goal of contributing in modern creative workflows where taste and systems both matter.

Watch Reel Projects Contact

Selected reel

Showreel

Two standout pieces that give the clearest sense of pacing, structure, and visual taste.

Sinners — Awards Campaign Trailer (Concept Edit)

Trailer-style concept edit built as an awards-campaign piece, combining story structure, fast-cut pacing, review graphics, and custom 3D elements.

Reframed Sinners as a trailer and Oscars-campaign style piece rather than a standard fan edit. Built around fast cuts, fadeouts, quote graphics, and story-driven progression through the film, with a custom Blender-made WB logo formed from bones in a casket and nomination icons timed on beat. Designed to feel like a theatrical prestige campaign while still moving with the rhythm of “I Lied to You.”

EditingMotion GraphicsBlenderMaskingTrailer StructureBeat Sync

Se7en

Tone-heavy thriller edit driven by beat sync, flashing transitions, overlays, and lyric alignment.

Built to match the unsettling atmosphere of Se7en, cutting to the pulse of “Creep” through flashes, blending modes, quick cuts, and layered overlays. Movie audio is woven underneath sections of the track to preserve tension and narrative texture while still keeping the edit musical and story-led.

EditingBlending ModesOverlaysBeat SyncTone Building

Featured work

Selected projects exploring motion, editing, and visual storytelling.

Timothée Chalamet "Greatness"

Motivational montage built around Timothée Chalamet’s SAG speech, intercut with performances, cultural references, and a broader pursuit-of-greatness theme.

Structured around Chalamet’s SAG speech and the idea of wanting to be "one of the best," with cuts to Marty Supreme, earlier performances, awards moments, and figures associated with greatness like Michael Jordan, Michael Phelps, Tom Brady, Anthony Edwards, and Lamine Yamal. The speech continues underneath later sections to carry the piece emotionally, ending on loss, ambition, and the handwritten "Dream Big" callback.

EditingStory ConstructionSpeech LayeringMotivational MontageCultural Intercut

Whiplash

Fast-paced performance edit using masking, lyric sync, and rhythmic cutting to push the film’s obsession-with-greatness energy.

Opens with a scene from the film, then pivots into the track to carry the edit forward. Built around aggressive pacing, masking, and lyric, beat, and melody matching to mirror the intensity, ambition, and pressure at the core of Whiplash.

EditingMaskingPacingLyric SyncMotion Graphics

(500) Days of Summer

Heartbreak edit tracing the rise and collapse of Tom and Summer’s relationship through fast rhythmic cutting.

Begins with a scene-led intro before breaking into the song and moving through the relationship’s emotional arc. The edit flashes between Tom and Summer as the tone shifts from romantic momentum to deterioration, even nodding to the karaoke moment where the song appears in-film. Structured as a fast, emotional rise-and-fall piece rather than just a montage.

EditingStory StructureBeat SyncRomantic Drama

Little Women

Slower heartbreak edit built around restraint, contrast, and a clean emotional turn.

Starts with beat-synced clips of Jo and Laurie together, then cuts sharply at the lyric "friendship had to end" into Jo’s rejection of Laurie before returning to their shared scenes under "Purple Rain." More restrained than the faster edits, with the emotional turn doing most of the work.

EditingEmotional PacingLyric MatchStory Contrast

Good Will Hunting

Emotion-led edit balancing heartbreak and warmth through scene audio, masking, and fast musical escalation.

Begins with dialogue from the film under the song, then transitions into a faster musical section that carries the story forward. Built to hold both the heartbreak and heartwarming sides of the film, using masking and beat sync to keep the emotional arc moving.

EditingMaskingStorytellingEmotional Arc

Superbad

Colorful, high-energy comedy edit focused on timing, rhythm, and major story beats.

A more playful and color-forward piece built around the fun, chaotic energy of the film. Uses quick splices, time-sync, beat matching, and selective masking to move through the plot and hit the film’s major scenes without losing momentum.

EditingComedy TimingBeat SyncColor Energy

Skills

Creative tools, technical range, and workflow awareness.

Creative

Motion graphics
Video editing
Compositing & masking
Visual storytelling
Beat-sync & pacing
Basic sound design

Technical

Adobe After Effects
Photoshop / Premiere
Python / JavaScript
DSP / signal processing concepts
Web development
Creative automation

Contact

Let’s work

Actively seeking opportunities in editing, motion, post-production, and creative technology.

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